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	<title>Tuelo Dihemo, Author at Consciousness.co.za Magazine</title>
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	<description>Arts and African History</description>
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		<title>Larmackism &#8211; The art of ridiculing an artform (Rhythm And Puppetry)</title>
		<link>https://consciousness.co.za/larmackism-the-art-of-ridiculing-an-artform-rhythm-and-puppetry/</link>
					<comments>https://consciousness.co.za/larmackism-the-art-of-ridiculing-an-artform-rhythm-and-puppetry/#comments</comments>
		
		<dc:creator><![CDATA[Tuelo Dihemo]]></dc:creator>
		<pubDate>Tue, 16 Nov 2010 12:19:29 +0000</pubDate>
				<category><![CDATA[Black Conscious Opinion]]></category>
		<category><![CDATA[Opinion and Book Reviews]]></category>
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		<guid isPermaLink="false">https://consciousness.co.za/?p=3478</guid>

					<description><![CDATA[<p>The era of the French revolution, the pinnacle of original ideas, gave birth to a theorist that explained the theories of the evolution of Hip Hop music, decades before the Grandmaster Flash teased his friend with the rhythmic mimicry of marching soldiers (Hip/Hop/Hip/Hop), way before Dj Kool Herc coined the title “father of Hip hop”, [...]</p>
<p>The post <a href="https://consciousness.co.za/larmackism-the-art-of-ridiculing-an-artform-rhythm-and-puppetry/">Larmackism &#8211; The art of ridiculing an artform (Rhythm And Puppetry)</a> appeared first on <a href="https://consciousness.co.za">Consciousness.co.za Magazine</a>.</p>
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