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Welcome to a Wordsmiths World,Where appellations is the mother city ‘sound is the town and the Republic is efficacy.

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Artistry is a faculty that requires dexterity and variables,  that will perfect and extend its complexity. During the continuous harnessing, finding a path where there is no turning back, is inevitable. After this notion has been effected, a cluster of artistic aesthetics begin to surface from the proceeds. Shabaka and the Ancestors is a parallel precedent of the presentation.

Emerging as a revered outfit, the well structured group captures unadulterated messages from incorporeal sages that has transfused life into a land now filled with complacency and stationary comprehensions.

Wisdom of the Elder is an album delineating the consequences of who we are and the calamitous happenings it has born over time.

Consisting of refined instrumentalists, each sideman brings a cause of action indubitably not repudiating that these members are chosen by a divine collective soul of a jazz entity, and not by themselves.

The bandleader Shabaka Hutchings is no exception.


His intricate tonality complements and coordinates the band rather than distinguishing him from the act. Accompanying the rhythm section is the melodious and ethereal thumping Tumi Mogorosi , awakening the implicit silence, and wails waiting to be heard. The rancoured essence lamented by vocalist Siyabonga Mthembu possess unrelenting affirmations bringing cognitive outcries to the furnace of ferocity.

The ever growing Ariel Zamonsky is a powerhouse, holding the underlined foundational bars, and does not let inertia take or have a frame of reference within the ensembles measures. Gontse Makhene’s tick is a syncopation queuing the originates for a dance into elation, along with Mthunzi Mvubu a fascinating saxophonist presenting chocolate palates whilst transcending being concomitant.

Adding this recording to the classic discographies emanating from our home soil does not set the ferals amongst the doves, considering the stage-worthy improvisers featured here.

On the copy, the hammering percussive components of Nduduzo Makhathini fills up the ivories with opulent musicalities, streaming Mandla Mlangeni’s altered irregular intervals and progressions, trickling saturated tonations.

It would be remiss not to credit Mzwandile Buthelezi for his impeccable and fashionable artwork on the cover, and Lindokuhle Nkosi for bringing forth recitations. As fanatics would deduce, sound is enjoyed in silence next to a heartbeat. And of late, The Ancestors are loudly whispering, … we need new songs…new music and new psalms…

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